Arthouse Audit: ‘The Man Who Knew Infinity’ Tops Mid- Level Openers. It’s a sign of the times that Beyoncé’s visual album “Lemonade” drew more commentary last week than any other new narrative film, while a New York Times television critic reviewed Netflix- only movie “Special Correspondents,” starring debut director Ricky Gervais. Expect more of same with other noteworthy digital- platformed movies. Back in theaters, new pickings boasted some pedigree but modest numbers. Topping the openers was IFC’s “The Man Who Knew Infinity,” which landed strong theaters in Los Angeles, New York and Boston. The documentary “Eva Hesse” (Zeitgeist) and Jason Bateman’s Sundance hit “The Family Fang” (Starz Digital Media) nabbed decent lower Manhattan exclusive results. READ MORE: Top 1.

Takeaways: ‘The Jungle Book’ Beats Top Three Openers Combined. Stay on top of the latest Box Office news! Sign up for our Box Office email newsletter here. Opening“The Man Who Knew Infinity” (IFC) – Metacritic: 5. Festivals include: Toronto 2. Watch Online Watch Don Juan Tenorio Full Movie Online Film. Tribeca, San Francisco 2. PTA (per theater average): $1.

The top multiple screen PTA went to yet another period British biopic about an outsider’s struggles to succeed. This time it’s an Indian who overcomes odds and becomes one of the great mathematical geniuses of his time. Stars Dev Patel and Jeremy Irons matched the material, IFC gave it a strong push in four cities including Boston. Watch Freedom Writers Online Metacritic here. What makes this more impressive is that the overall reviews, including key newspapers in New York and Los Angeles, were decidedly mixed. That indicates the film drew on its own, suggesting interest that could be replicated elsewhere.

What comes next: Seven more cities open this city, with top 5. May.“Viva” (Magnolia)  –  Criticwire: B; Metacritic: 7. Festivals include: Telluride 2.

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Palm Springs, Sundance 2. PTA: $(est.) 3,4. This Irish- Cuban coproduction (from veteran director Paddy Breathnach) was touted as a contender for the Foreign Language Oscar when Ireland submitted it. After warm festival receptions and positive reviews, it seemed it might break the recent slump in similar films. A crowd- pleasing Havana- shot story set in the travesti (drag queen) community, Magnolia opened exclusive in Manhattan and then in multiple Los Angeles and Miami locations, making our estimated number harder to gauge.

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It had a decent Saturday uptick, but it remains to be seen how this will play going forward. What comes next: Chicago and San Francisco start the national expansion this Friday.“The Family Fang” (Starz)  – Criticwire: B- ; Metacritic: 6. Festivals include: Toronto 2. Tribeca 2. 01. 6$1. PTA: $1. 5,2. 85.

Jason Bateman’s directing debut “Bad Words” opened two years ago to a PTA of nearly $1. His second comedy —with costars Nicole Kidman and Christopher Walken —opened exclusively at New York’s Angelika (bolstered with Q & A’s with the director Saturday) to a reasonable response. Its theatrical promise is muted by its future streaming plans starting Friday, along with additional theaters. What comes next: A big push to 4.

VOD play.“Papa Hemingway in Havana” (Yari)   – Metacritic: 3. Festivals include: Key West, Havana 2. Newport Beach 2. 01.

PTA: $1,5. 11“Crash” producer- turned- director Bob Yari used his own distribution company to release his film starring Giovanni Ribisi as a writer who travels to Cuba to interview Ernest Hemingway. Impressively positioned and supported (it was placed at some of the top big- city theaters), it earned low- level reviews which contributed to a mediocre performance overall. What comes next: Not likely to escape unscathed going forward.

A Beautiful Planet” (Buena Vista) – Metacritic: 7. PTA: $(est.) 9. 84. This 4. 6- minute IMAX 3.

D NASA production opened at both theaters and museum locations to start what is likely a long- term engagement with at least partial shows at many of them. What comes next: This will play at initial theaters but not much beyond.“Eva Hesse” (Zeitgeist) – Metacritic: 6. PTA: $1. 3,2. 90; Cumulative: $1.

Another example of, at least in Manhattan, the appeal of docs about artists. Eva Hesse was a 1.

German painter who died young but left a legacy. This had no festival play and mixed reviews, making this strong number even more impressive. What comes next: Though it has niche appeal, it should be enough to get this dated at select locations around the country.“L’Attesa/The Wait” (Oscilloscope)   – Metacritic: 5. Festivals include: Venice, Toronto 2. PTA: $3,1. 25. Oscilloscope scored the clear victory among subtitled releases this year with “Embrace of the Serpent,” but their latest effort (in Italian) despite good theater placement in New York and Los Angeles has little chance of success with mixed reviews, when even upbeat praise doesn’t guarantee success. Juliette Binoche as a grieving Sicilian mother added heft, but not enough.

What comes next: The distributor is positioned to get key cities open, but this isn’t likely to do more than token business ahead. Also available on Video on Demand: “Term Life” (Focus) – $(est.) 1. International releases: “Finding Mr. Right 2” (Media Asia/China) – $(est.) 4. Baaghi” (UTV/India) – $(est.) 2. Week 2“A Hologram for the King” (Roadside Attractions) $9. PTA: $1,7. 91; Cumulative: $2,5.

Not a bad hold for the second weekend (including expansion) of this Tom Hanks- starring adaptation of Dave Eggers’ Saudi Arabia- set bestseller. It will end up in 1. Perhaps indicative of a struggling market for many films is the shortfall this shows against similar “Salmon Fishing in the Yukon” in 2. PTA three time as high (aided by having fewer runs, but still decidedly better). This has Hanks coming after his prestige success of “Bridge of Spies” last fall, so he can still enhance an adult- oriented film, though not so much in this case, which looks to hit $5 million.“The Meddler” (Sony Pictures Classics)$1. PTA: $7,2. 65; Cumulative: $2. In its second weekend this Susan Sarandon/Rose Byrne mother/daughter vehicle came in roughly half of Lily Tomlin’s “Grandma” at the same point last August.

But it’s a bit ahead of the ultimately even bigger (closing in on $1. Lady in the Van” in its second stanza last January, mainly because that was not only the height of Oscar season but a blizzard shut down the Northeast. So this looks like a work in progress.

A strong 6. 9% increase Saturday from Friday shows that its intended older audience is responding.“Elvis and Nixon” (Bleecker Street)$1. PTA: $6. 40,0. 00; Cumulative: $8. Bleecker Street is proving the viability of the theatrical release model with “Eye in the Sky.” But their release of Amazon’s star- driven (Kevin Spacey/Michael Shannon) vehicle reminds that some films do better going straight to streaming.“Compadres” (Lionsgate)$6. PTA: $1,7. 66; Cumulative: $2,3.

The second weekend for this Mexican comedy (centered on hacking drug kingpins) dropped a bit more than half, but it is still grabbing more business than a lot of other specialized films at this level of play. Ongoing/expanding (Grosses over $5. Green Room” (A2. 4) Week 3$9. Cumulative: $1,3.

A2. 4 has had so much recent success, including such younger appeal genre films as last year’s “Ex Machina,” that they set a high bar. This musicians- trapped- in- a- deserted- house thriller, post- major festival presentation and strong reviews, is falling short. It still got enough sampling that audiences could drive further interest. The picture increased 1. Saturday, not automatic for its audience.

Still, this isn’t going to replicate anything close to the $2. Ex Machina” attained, nor follow Radius’ 2. Watch Lajja Download Full here. It Follows,” which looks more impressive all the time.“Eye in the Sky” (Bleecker Street) Week 8$8.

Cumulative: $1. 6,3. Another strong hold—the PTA as the weakest theaters drop out is nearly equal to last weekend— suggests that this could still end up at the high end of expectations for the top specialized release so far this year (LINK) and even reach $2. READ MORE: 5 Ways that ‘Eye in the Sky’ Topped the 2.

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